Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Julius Paulsen 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
64669 dobbeltportraet Julius Paulsen dobbeltportraet frederikke og laurits tuxen 1907
64537 laurits tuxen og hustru frederikke i haven ved villa dagminne i skagen Julius Paulsen laurits tuxen og hustru frederikke i haven ved villa dagminne i skagen 1907 se
54347 St John-s on Tisvilde Beach Julius Paulsen St John-s on Tisvilde Beach mk235 1886 Oil on canvas 63x75.5cm
54362 Under the Pont des Arts Julius Paulsen Under the Pont des Arts mk235 1910 Oil on canvas 46x55cm

Julius Paulsen
Danish, 1860-1940 Danish painter. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen (1879-82), but found the training there uninspired and soon attached himself to more radical artists such as Peder Severin Kreyer and Laurits Regner Tuxen. A turning-point in his career came in 1885 when, with Viggo Johansen, he went to Paris. On the way they visited Amsterdam, where the art of Rembrandt made a great impact on Paulsen; in Paris he showed interest in Courbet and Monet. From 1886 his time was shared between landscape, figure and portrait painting. His first landscape, From the Village of Ry (1886; Copenhagen, Hirschsprungske Saml.), is an early example of his personal blend of Romanticism and Symbolism; it shows a golden sunset colouring the houses and gardens of the small village. His View from the Harbour after Sunset (1891; Copenhagen, Hirschsprungske Saml.) has much in common with Monet, the Copenhagen skyline barely discernible through a deep blue and iridescent atmosphere. A later visit to Paris inspired such sunlit townscapes as Under Pont des Arts in Paris, Midday Sun (1919; Copenhagen, Stat. Mus. Kst), the shimmering, sketchy surface of which is dominated by fresh blues and greens; the painting incorporates a favourite Impressionist motif, the curved filigree of the iron bridge, which both frames the scene and lends it tension.
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